Monday, September 12, 2016

Recommended Reads for the Achieving Artist

The following list of books are, without a doubt, a small selection of the most useful books that I, and many successful artists, have read and studied while going through art school and working professionally.

- Art Fundamentals: Color, Light, Composition, Anatomy, Perspective, and Depth, Gilles Beloeil
      - This book will do a great job providing a "crash course" of explaining the fundamentals to creating dynamic art and design. This is the basic information on art fundamentals you are expected to know before anything else. 

- Picture This: How Pictures Work, Molly Bang
     - This book focuses on how composition works on the human brain. It's very short and is not a hard read in the slightest. However, it does a great job covering, what I consider to be, key concepts of design that are used repeatedly by effective designers and storytellers in the industry.

- How to Draw, Scott Robertson
     - This is a must buy if you want to know how to draw anything correctly. 

- How to Render, Scott Robertson
     - This is another must buy if you want to know how to render anything correctly.

- Figure Drawing For All Its Worth, Andrew Loomis
     - Loomis is one of the many masters of figure drawing. I not only go to figure drawing sessions, but I redraw and study the figure drawings of Loomis to better my own understanding. Any Loomis book is helpful, and luckily, he was gracious enough to provide FREE PDF versions of his books online.

Color and Light: A Guide for a Realist Painter, James Gurney
     - This is another must-buy if you want to begin understanding how to effective see and use color and light. 

- Framed Ink: Drawing and Composition for Visual Storytellers, Marcos Mateu-Mestre
     - If you are interested in being an illustrator, storyboard artist, comic book artist, or any kind of artist that wants to create dynamic and effective compositions, this is a must-buy. This book does a great job in explaining a much more advanced level of composition and how the human brain will perceive the image and narrative.


Composition of Outdoor Painting, Edgar Payne
     - If you want to learn more and get better at creating art related to background environment art, this book is a must buy. A lot of great insight from one of the masters of outdoor painting in regards to composition and art philosophy.

Alla Prima II, Everything I Know About Painting- and More, Richard Schmid
     - This book provides a great perspective on the philosophy and techniques of painting. Schmid is a master of traditional painting and the teachings he provides in this book can easily be applied to enriching digital painting. This book is a limited print, so it may not be the most affordable price. But how much are you willing to pay for a master's lifetime of information on painting?

Sunday, August 21, 2016

Student Introduction Assignment

DUE:

Self Portrait - "FullName_DART135_Introduction_Portrait.jpg"  
     - Portrait orientation, high resolution image
     - Must show form (light side/dark side)
     - Must capture likeness
     - Must be drawn
     - 2 hour maximum limit

Digital Portfolio  - "FullName_DART135_Introduction_Portfolio_X.jpg" 
     - Five examples of strongest artwork

Word Document - "FullName_DART135_Introduction.doc" 
   - Name
   - 2 Most Inspirational Artists: Why? What specific work is your favorite; why?
   - What do you want to do with art? Is there a company/studio do you want to work for? Why?
         - What position/job do you want in that company/studio?
         - Why do you think that company and position is the best choice?
   - Do you have a sketchbook you work in outside of this class?
         - How many hours of the week are you sketching?
   - What do you want to get out of this class? 

Health & Ergonomic Resources



VITAL STRETCHING EXERCISES FOR THE HARD-WORKING DIGITAL ARTIST







THE 20/20/20 RULE FOR THE HARD-WORKING DIGITAL ARTIST'S VISION


ERGONOMIC POSTURING FOR THE HARD-WORKING DIGITAL ARTIST




Tuesday, April 19, 2016

Project 07- Digital Portfolio

DUE

Turn in all final versions of work done for Project 02-06 and Extra Credit (if applicable):

- All images must be: 
  • Properly labeled- "LastName_FirstName_107_Project(#)_(File#).jpg"
    • Ex. Project 04 Toned Paper Drawing Project-
      • "Matsumoto_Michael_107_Project04_01.jpg"
      • "Matsumoto_Michael_107_Project04_02.jpg"
      • Etc.
    • Ex. Extra Credit 
      • "Matsumoto_Michael_107_ExtraCredit_01.jpg"
      • Etc.
  • In high-resolution 300 pixels per inch 
  • In JPEG format
Important: Be sure to double-check that your USB/files work on another computer before coming to class. Corrupted files/flash drive will not be excused under any circumstances and will negatively affect your project grade.

Wednesday, April 13, 2016

Project 05- Pilot Character Design

DUE:


-Guidelines-

On an 11"x17" page, you will design a pilot that looks belonging to your vehicle design based on its similar design theme (ex. shape, patterns, features, characteristics).

We will follow the design process in steps-

Design Process (per subject)-

1. Silhouettes (12+ minimum)
2. Sketch line drawings over silhouettes (3+ variations)
3. Rough line drawings over sketch drawings (3+ variations)
4. Rough clean up
5. Perspective lay-in
6. Tone
7. Highlights
8. Details
9. Final Presentation


Should have 3 minimum printed pages for Character project-

PAGE 1: Thumbnails (Solid Silhouettes)

PAGE 2: Process (Line Drawings Over Silhouettes, Variations of Line Drawing, & Final Line Drawing Design)

PAGE 3: Presentation (Final Presentation of Character Design in Action/Victory Pose) 
[COLOR OPTIONAL]



Examples












Monday, April 11, 2016

Extra Credit Opportunities

DUE: WEDNESDAY, MAY 11th

As an opportunity for extra credit, students may choose to do the following assignments. On 11"x17" pages with toned paper texture, using the white highlight technique that was displayed in the last project:

1. Tree House in Organics 


Draw a tree house in a large organic tree. Please consider lost and found edges and areas of detail as mentioned before in class. ( Don't over detail the entire page.) You may use references provided below to help. Take a look at artists like Paul Felix and Michael Spooner for inspiration.

2. Organics Sketches

- Draw 2 whole pages of different organic trees, plants, and environmental element parts using the techniques in class. Must show some indication of lights, shadows, and textures.

References